top of page
"The evening’s most transfixing performance: Lauren Fox, a beautiful spectral presence, brought the house to dead silence with searching, eerily intense renditions of “Woodstock” and Leonard Cohen’s “Hallelujah.”
-Stephen Holden, The New York Times, review of opening night of the 2012 Cabaret Convention,  Rose Hall @ Jazz at Lincoln Center

Click to read the full review

"Ms. Fox’s rendition of Mr. Cohen’s “Hallelujah” was the deepest and most dramatically revealing of any I’ve heard. The bitterness and self-laceration of this song about the failure of a relationship — and all relationships — registered keenly. With minimal melodrama she conveyed the steep prize of being in the thrall of romantic heat as time goes by: serial, deepening disenchantment."
-Stephen Holden, The New York Times, review of "Love, Lust, Fear & Freedom"

Click to read the full review

​"Ms. Fox doesn’t just sing the music of Ms. Mitchell; Jackson Browne; Crosby, Stills, Nash & Young; Carole King; and others. With her long, straight hair and full-length dress, and her theatrical know-how, she embodies it physically and spiritually. She knows more about the period than most people who lived through it. When they watch Ms. Fox, they may be shocked to realize that the history conjured by a performer half their age occurred 40 years ago."
-Stephen Holden, The New York Times, review of "Canyon Folkies."
Click to read the full review
"She exuded a smoldering charisma while singing the material in a reflective folk-pop style that occasionally broke out into a cry." -Stephen Holden, review of "Groupies," The New York Times
Click to read the full review
bottom of page