“Especially notable is Fox's ability to simply be on camera. Her moments of rote behavior are completely lacking in self-consciousness. It's hard to find an actress with that level of concentration in a low-budget independent, but Fox is as good at this as Humphrey Bogart was at getting drunk in "Casablanca": You'd never guess there was a whole crew there.”

-Mick LaSalle, San Francisco Chronicle review of “Revolution Summer.”

“The play has one particularly attention-getting performance that leaves you hoping that some casting directors make the trip uptown to see it.  Ms. Fox is the show’s standout, not just for that fine singing voice, but for nailing her character, a droopy young woman who, with two of the older characters, is trying to survive the early years of outsourcing by starting an independent textile business. You’re left wishing someone would try creating a one-woman show out of the same source material, just for her.”

-Neil Genzlinger, The New York Times review of “Hillbilly Women.”